Kaj Pindal : Laugh Lines

Laugh Lines is a film portrait of animator Kaj Pindal. He is seen at work creating zany cartoon characters, teaching students of animation, and at home enjoying another of his creations--a full-size streetcar that tours his backyard. The laughter in Pindal's life is evident in this delightful film biography.

Palm Springs International ShortFest signal film by MAKE

Via CartoonBrew.

Minneapolis-based studio MAKE created this animated signal film for the forthcoming Palm Springs International ShortFest. Beautiful design and animation , with a well-crafted story told with very economical cutting in under a minute. (students take note) ---



Credits:

MAKE Producer:
Danny Robashkin

Director/Lead Animator:
Andrew Chesworth

Animation Production Team:
Justin Weber
Aaron Quist
Alec Mueller
Jordan Hill
Ben Bury
Niklas Norman
Joe Kim

Voices:
John Olive
Elise Langer
Nicholas Mrozinski

Music:
Steve Horner - Horner Music


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Here's another piece by MAKE. A very timely PSA . And again , great animation and design all the way around , aside from the very timely message:

Sylvain Chomet interview

Sylvain Chomet, director of Belleville Rendez-Vous and now The Illusionist. Photograph: Paul Cooper

Sylvain Chomet talks about his new film "The Illusionist" -

http://www.guardian.co.uk/film/2010/jun/10/sylvain-chomet-belleville-rendezvous-illusionist

The biggest problem [in making the film] was finding the animators. Like the music-hall acts in the film, animators had become convinced by Hollywood that their time had passed.

"A lot of animators, basically people who can draw, got scared by these wankers from Disney saying that 2D animation is dead, that it was only going to be 3D and Pixar from now on. It is just typical shit by people in ties who don't know what they are talking about. Are they saying that Aardman is dead, too, then? I mean how stupid are these people? Saying 2D is dead is like saying that a car race is the future of the Tour de France."

"We had trouble because the fantastic animators we found had got really stressed because they thought after our film there was not going to be any 2D any more. Some were driving buses or retraining. People really had been made to believe that the end had come. The truth is that animation is always mixing things up: pen and paper, stop motion, puppets, 3D. Suddenly this bizarre competition has been created. What it is, one more time, is this American reflex to kill off the competition, to say that you can only do it one way and destroy everything else that went before. The whole society is like that. They destroy what they have to build something new. They end up with no roots to draw on, nothing to compare their work with to see if it is good or not. American culture is in real danger of starving itself to death. You just have to see what Hollywood is producing to see how narrow it is getting."

Sandro Cleuzo's blog

The brilliant animator Sandro Cleuzo has a great animation blog which you should definitely bookmark and check frequently.

Sandro is generously sharing his collection of Milt Kahl drawings , with a weekly "Milt Kahl Day" on his blog.

Some samples (click images to view larger) -

*as Sandro says about the above drawing:

"This particular drawing is just full of great things to study. Composition, staging, silhouette, design, appeal, you name it, it's there."

(And we could say that about almost any Milt Kahl drawing)

Wow, be sure to click on this Wart pose sheet from 'The Sword in the Stone' to view it larger. This is the stuff to print out and study . Put it on the walls around your drawing board to inspire you.

There is so much great stuff over on Sandro's blog. Check it out.

Storyboarding by Sherm Cohen

The ever-resourceful Sherm Cohen is posting a series on Storyboarding:



Check out Sherm's other videos:

Storyboarding Commentary Series

• Storyboarding Commentary series:
• #1 - Storyboard Scans and Overview
• #2 - The Establishing Shot
• #3 – The Pan Shot
• #4 – When to Cut
• #5 - Staging and Design
• #6 - The Close-Up
• #7 – The Three-Shot
• #8 - Staging for Movement

While you're at it buy Sherm's full DVD on "Learn How to Storyboard." (click link)

new trailer for "The Illusionist"

NEW:

Official website is up:

http://www.lillusionniste-lefilm.com

Official trailer and several additional clips, image captures from the movie, etc. Check it out.

The movie will be distributed in North America by Sony Classics.

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A new trailer (Russian) for the upcoming Sylvain Chomet ("Triplets of Belleville") animated feature "The Illusionist" .

This looks absolutely beautiful.

The Illusionist trailer:



Translation (by "Niffiwan" ) of the inter-titles on the trailer:

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In life, there are just a few things that are worth doing.

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But sometimes the world is not ready to receive
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that, which we are able to offer it.

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This story tells of the journey of one man
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which enabled him to keep his magical gift
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and to rediscover for himself
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what is worth doing for him in life.

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From the director of that masterpiece of European animation
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"The Triplets of Belleville", Sylvain Chomet.

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Based on the screenplay of the legendary Jacques Tati.

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"The Illusionist"

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Tribute to Disney/Pixar story artist JOE RANFT

Today (March 13, 2010) would have been Joe Ranft's 50th birthday. This tribute film was made by Joe's friend John Musker for the memorial service for Joe held at Pixar . John has graciously shared this touching tribute on YouTube to mark the occasion of Joe's birthday.


(expand to watch full screen)


By the way, on August 10, 2010 there is a new book coming out by John Canemaker called "Two Guys Named Joe" which will feature the art and life of Disney/Pixar story artists Joe Ranft and Joe Grant.

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And since this is a blog of NOTES and INSPIRATION for my AAU students the pedagogue in me wants to point out to students that the tribute film above by the amazing Mr. Musker is a stellar example of what a Story Reel/Animatic should look like. So much is said with no dialogue and the simplest, most direct sketches.

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Pete Docter on success in Animation: "Draw, draw, draw"

Pete Docter gives advice on succeeding in Animation:

Rad Sechrist's "How To" blog

This is a great blog which ought to be on every animation student's blog roll -

Rad's How To

Rad Sechrist is a storyboard artist , currently working at Dreamworks Animation. His blog has some terrific tips on drawing for animation.

Rad also has combined his talents with several other animation artists on another how-to blog :

The Art Center - Sharing Ideas & Tips from Artist to Artist

He gives Tips on basic Storyboarding:

(click images to see larger)

How to Get Good FLOW into your rough drawings:

And many other fine tips for animation artists.

Check it out.

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Waking Sleeping Beauty trailer

(watch it full screen)



Even better , go watch the high-quality Quicktime version of the trailer here:

http://www.apple.com/trailers/disney/wakingsleepingbeauty/

"Waking Sleeping Beauty is no fairytale. It is a story of clashing egos, out of control budgets, escalating tensions… and one of the most extraordinary creative periods in animation history. Director Don Hahn and producer Peter Schneider, key players at Walt Disney Studios Feature Animation department during the mid1980s, offer a behind-the-magic glimpse of the turbulent times the Animation Studio was going through and the staggering output of hits that followed over the next ten years. Artists polarized between the hungry young innovators and the old guard who refused to relinquish control, mounting tensions due to a string of box office flops, and warring studio heads create the backdrop for this fascinating story told with a unique and candid perspective from those that were there. Through interviews, internal memos, home movies, and a cast of characters featuring Michael Eisner, Jeffrey Katzenberg, and Roy Disney, alongside an amazing array of talented artists that includes Don Bluth, John Lasseter, and Tim Burton, Waking Sleeping Beauty shines a light on Disney Animation’s darkest hours, greatest joys and its improbable renaissance."

First reviews of Chomet's "The Illusionist"

Sylvain Chomet's new hand-drawn animated feature film premiered recently at the Berlinale Film Festival .

Here are a few of the early reviews :


Variety review of "The Illusionist"

Another review of "The Illusionist"

Screen Daily review of "The Illusionist".

"It took six days and an awful lot of films, but the Berlinale has finally turned up a masterpiece. Moreover, it’s a rare case of one of the fest’s most eagerly awaited titles managing to meet, and even subvert, expectations.

“The Illusionist,” French animator Sylvain Chomet long-gestating follow-up the 2003 Oscar nominee “The Triplets of Belleville,” confirms a truly singular auteur sensibility, while revealing a more disciplined artist and storyteller within. A streamlined character study, less deliriously eccentric in tone and structure than his debut feature, “The Illusionist” nonetheless boasts an emotional heft that handsomely repays its creator’s restraint."

Some clips from the film are seen in this interview with Sylvain Chomet. (watch it in Full Screen Mode) -

The Secret of Kells - official U.S. trailer

The Secret of Kells official U.S. release trailer.

This film has been released in Ireland and in Europe, and has played a limited Oscar-qualifying run in a few theaters in the U.S., but has not yet been widely released . But it looks like it is on track now to get a proper theatrical release in the United States.

(the Oscar nomination for "Best Animated Feature Film" helped, I think !)

I'm hoping to see this and Sylvain Chomet's (Triplets of Belleville) new feature film "The Illusionist" soon.

Inspiration: Rune Bennicke Rough Animation pencil tests

Animation by Rune Bennicke.

Click through the link to Rune's Vimeo page to see more of his pencil tests -

Brother Bear Koda's Mom Reel from Rune Bennicke on Vimeo.

Making-Of "The Princess & the Frog" - A Frogumentary

Behind the scenes interviews with some of the artists who made "The Princess & the Frog" .

Here are two parts of the "frog-umentary" featuring Lead Animator Eric Goldberg , and Lead Key Clean-Up artist Marshall Toomey.

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Click through to YouTube to watch the other parts of the documentary.

Mike Nguyen's Animation Blog - RAINPLACE

Animation Students:

If you don't know about Mike Nguyen's animation blog RAINPLACE , then get it on your bookmarks list and visit regularly. Mike has some of the most detailed and thoughtful pieces on the nuts & bolts of animating that you will find on the internet ---

RAINPLACE - Mike Nguyen's Animation Blog

Recent topics included : Fielding a Scene (the effect of field size on the perception of an action) , Amount of Extremes to use when animating a scene, Phrasing , Squash & Stretch Applications.

[Copyright © 2010 by Mike Nguyen, July Films]

Great stuff ! This is one of a handful of blogs that I would gladly pay a monthly subscription fee to view. However, Mike is such a generous , giving spirit that he is giving it away for free. (seriously, Mike you should at least put up a PayPal "tip jar" for those who would like to contribute to support your efforts)

In case you don't know , Mike is directing and animating an independent , self-funded feature length animated movie "My Little World".

Chinese master traditional animator Te Wei 1915 -2010

(via Jerry Beck on CartoonBrew.com) --

"The master of Chinese animation, Te Wei (Sheng Tewei), has passed away at age 95.

Te Wei, a pioneering animator and cartoonist, was one of the founding fathers of the Shanghai Animation Studio. His most significant film of the 1950s was 'The Conceited General' .

In the 1960s his animation style was influenced by the painter Qi Baishi. His 1963 film , 'The Cowherd’s Flute' (Part 1 below), and his masterpiece 'Feeling from Mountain and Water' (1988) are two of the most beautiful animated films from China - or anywhere"

(watch the films full-screen)

Saul Bass on Art and Commerce

(found via Alan Cook's page) --

Saul Bass:

"I want to make beautiful things, even if nobody cares"

This excerpt from a documentary about the legendary designer Saul Bass is worth watching several times. I haven't seen the whole documentary, but it now goes to the top of my list of DVD's to track down.



If you don't know who Saul Bass is you should find out.

You may have seen his title sequences on classic films and not been aware of his name:



(for a high-quality version of the Vertigo title sequence go to The Art of the Title Sequence web site: Art of the Title : Saul Bass titles for Vertigo

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Lip Sync - Gesture and Body Language speaks louder than words

Good clip via the Speaking of Animation site :

http://www.speakingofanimation.com/2010/01/gesture-vs-lip-sync/

"Here’s evidence that proper acting and gestures are more important than lip-sync.
(It’s a clip Pete Docter showed in a lecture a couple years ago.) It works really well and makes me laugh every time.
So make sure your character’s body sells the line before you go crazy trying to get the lip-sync right."